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  von Gumppenberg

Johannes Writes

The Likeness of a Beautiful Thing - 01

3/25/2016

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        In the early 1990s this was given first as a speech to a class at the Lancaster County Art Association, and in briefer form afterwards on a couple of other occasions. Some of the illustrations come from the text, others from references to physical works that Johannes brought with him, and one from live demonstration.                   (FIRST of eleven sections)                                                                                                                 
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I     The Artifact and the Art Object

A.   Rules for Right Making in Utility and Art
       
In past times distinctions were drawn between products of the Fine Arts and humble Objects of Utility, adding to the latter ever the inferior rank. Much thinking in this century turned this around, proclaiming the well-made artifact the equal of the work of art and, in all essential ways, indistinguishable from it.
        The difficulty may not be amenable to any final settlement. There is a common good desired of them both: We want our furnishings as well as our pictures to be beautiful. But their capabilities and purposes can also differ widely; and that needs to be accounted for before this search for understanding ends. Yet, for our start it will be helpful that the ground rules for creating a good product govern equally the object of utility and one existing solely for its beauty – the Applied as well as the Fine Arts.


B.   John Benson’s Course and the Twin Purposes of All Instruction
       
Undergraduates at Rhode Island School of Design in the 1950s studied during one semester a subject called Philosophy of Design. The course was taught by a great man, John Howard Benson. It was beautifully organized, and ably introduced us to a domain of intellectual concern that few artists ever get to know. Also, it fulfilled better than most others the twin purposes of all instruction:     
  1. It saved the student time, advancing our understanding far beyond what any of us could have reached on our own in whatever many years; and –
  2. For me, it stimulated the widely-ranging labors of philosophic thought, now making possible this series of talks.
        I have in my possession only skeleton notes of this course, so that the fleshing out will be my work and its failings my responsibility. But my debt would be plain to any who have shared this excellent beginning, and deserves to be acknowledged.

C.   Ways of Delivering the Wrong Results
       
When an otter lies upon its back and opens a mussel by breaking the casing with a stone, or a raptor rises to some height and drops its catch to shatter on the ground below, or again, an early hominid seized a rock to cleave with it the brain-case of his game, the deeds appear identical in their complexity of mental action. But they are most dissimilar in their cultural and, in the end, historic consequences. Man alone evolved to overcome, to an extent, the specific limits all other species failed to breach. These, however, remain the causes of inferior work at the hands of man, to the present day. They are:
  1. Ignorance: Inadequate understanding of the problem to be solved in terms of the materials and the tools required, as well as of Technique – that is, the body of orderly procedures demanded by the job.
  2. Lack of Good Will: If our purposes are feeble or we intend to cheat the buyer, the outcome must be flawed.
  3. Lack of Inventive Sensibility: That is, the intelligent discernment of a promising conception, or road to choose – the failure to see beyond what our teachers have transmitted, in the sense of Leonardo’s dogma that “It is a wretched student who cannot surpass his master.”
  4. Lack of Skill: A kinesthetic ignorance, not of the intellect, that is, but of the muscles through want of aptitude or training. Failure to govern our tools as instrumental extensions of the body, that is, of bodily dexterity and strength.
        The way we fail by Ignorance, Ill Will, Want of Imagination, and Bodily Ineptitude portrays man as a being who at his best can succeed by all their opposites. That is – by his gifts of Reason, Will, Forward-Looking Vision, and Dexterity. In consequence, man recognizes . . .

D.   The Worthwhile and Essential Callings of Man’s Life
  1. Science, or Right Knowing: Assembled by the faculty of intellect, conscious realizations bound by actuality and truth, not subject to the will. I have some comments to contribute later about how knowledge must rely on will to constitute itself. But will is not involved in what is and what is not a truth.
  2. Prudence, or Right Doing: choices made by the faculty of will. It presupposes and depends on knowledge, and we often know much better than we are behaving. We smoke, though we know it devours our lungs. Though we know fattening foods are harmful and will cause us to grow heavy, we eat them all the same. Right Doing calls upon the power of resolve to sustain an appropriately chosen path, that is, upon free will.
  3. Art, or Right Making: It presupposes and depends upon Right Knowing as well as on the Right Resolve, but prospers by the Faculty of Intuition – what I have called Inventive Sensibility – which, forward-looking, takes us from the known to the unknown, and is thereby our means of progress.
        Of all the callings, the Arts are most clearly dependent upon skill, that is, the artist’s corporeal suitability for his work of making.

E.   The Causes of Things Made
       
There are reasons, or causes, why Man-Made Things Exist
  1. Final Cause: The beginning, as opposed to the final, form. The end for which a work is undertaken, the problem posted by the patron. The intended function of the object will therefore be a good desired by the user.
  2. Material Cause: The substances from which a thing is made, and without which it would not exist. These are chosen always for their serviceable qualities toward the desired end.
  3. Efficient Cause: The means by which materials are given their appropriate shape through one of the following:
  •          The Material Means, that are the artist’s Tools
  •          Kinesthetic Means, which are the artist’s Skills
  •          Technical Means, which are Instrumental Actions or Techniques that are
                    the employment of the tools in their right relationship to the materials
                    and of the materials to each other.

                   T
echniques are the union of the Material and Efficient Causes. Materials
                    properly chosen for their purpose
are shaped according to what the right 
                    tools and materials can suitably be made, and want, to do for a
desired  end.

         4.  Formal Cause: The solution of the problem and its final form are achieved in
               Stages. The Stages are reductions, that is, Abstractions derived from the
               problem posted by the patron. Stages constitute the successive images
               to which the materials must by shaped.

 
        [Other Causes than those cited as Antecedents of Results –from notes at end of essay:
  1. First Cause – the self-created being and prime mover – God
  1. Immanent Cause – originating or evolving within an entity (Spinoza)
  2. Transient Cause – originating outside the entity affected by it (Spinoza)
  3. Occasional Cause – a desire or resolve as remote cause (occasion) but not an immediate – such as the efficient – cause of an effect.]
                                           
F.   Stages as Instrumental Intermediate Forms 
  1. Stages are thus Instrumental Intermediate Forms. Themselves deliberately simple, they clarify one step at a time the tasks to be performed, so that the greatest complications can be managed. They represent the orderly Division of the Work Path, and serve equally for the tasks of mass production and the creation of unique works in the fine arts.
  2. Through dividing the Work Process into its appropriate sequential forms – each requiring the performance of but simple tasks – the artist is delivered from anxiety and put at rest in his own mind about the progress of the job.
  •         Clarity of planning and simplicity of operations are the purpose of the Stages.
                  They represent a good desired by the artist rather than the patron.
  •         Only to the degree that tasks have grown accustomed can the required
                  Stages be well known. But for the breaking of new ground, not only
                  knowledge, will, and skill, but also inventive sensibility, is brought to bear
                  to set the correct milestones in their places as the Work Path gradually
                  unfolds. It is here, when we must rely on our uncertain intuitions, that we
                  cannot altogether escape our own uneasiness of mind.


        3.  The last of the abstractions that we call a Stage is the Final Form and
               conclusion of the worker’s effort. It represents perfection as a thing complete
               and thoroughly constructed.


               Perfection is here not an attribute divine, but must be rightly understood as a
               property of man-made things within their range of possibilities, that is, within
               the impediments or limits of the job. When the last possible  duty is faithfully
               performed, perfection as achieved because we can do no more – the final
               chore and last detail. 
 
   

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Comment:
Perhaps you can comment from work you have done in Arts, Crafts or other projects using Stages as Intermediate Forms . . . .

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The Identity of Meaning - 06

2/20/2016

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We begin this series with the early essay which gives its name to this column - written in 1959.    (Final of six sections)
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Summation – The Principle of Meaning

     At last, I hope I have been able to clarify some aspects of the principle of meaning.
I have presented my theme by discussing meaning as the content of all identities. I have done this without insistence, beyond illustrative example, upon a specified meaning belonging to a specific thought or object. And I have collected the being of all, however variedly distinguished entities, under one name – meaning – and tried to show what principle rules the nature of all things under this generalization. Here at the end I wish to summarize the conclusions that perhaps have been reached.
 

     Meaning is the content of being. This content, that has been named “meaning in the absolute,” includes the potential power to contribute its meaning to the content of another being under the term “meaning in the relative,” for which meaning in the absolute is the presupposed condition.
 
     When man has reached the limit of knowledge accessible to his mind, he can yet relate to the remaining unfathomable existence or void by faith in an omnipotent, infinitely wise and just deity. I believe that, even without a living God, the act of faith would be valid and meaningful – for faith is included in the endowment of our identity.
 
     And because we desire to know ourselves, we must experience our own power of faith, not necessarily because in faith we believe correctly, but because perceiving ourselves in the act of faith enlarges our self-knowledge.
 
     To know himself and the role of his entire being, man must use his power to relate.  This is absolutely his sovereign possession and, by employing it, he gives evidence of himself to himself. God, however, all-knowing, needs no such demonstration of his creator identity. His self-knowledge of it would be complete without the test of creation.
 
     In the end I have written this paper as a personal guide in my own endeavor to distinguish and separate meaning from non-meaning, sense from non-sense. The meaning contained in our being, and in other existences, becomes perceivable to us mainly in the relation of ourselves to the environment. In such a manner, the search in these pages may, over the years in a small measure, help to reveal the content of my own identity.

     This seeking, rewarded at best with only partial finding, is the task of our lives. We are committed to it because insight into the nature of our identity from within is the required condition for insightfully relating to the world without. By so seeking we acknowledge ourselves, in the realization that being is the vessel which holds all the meaning we can ever hope to find.  

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The Identity of Meaning - 05

2/19/2016

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We begin this series with the early essay which gives its name to this column - written in 1959.    (Fifth of six sections)
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The Function of Principle

     The theme of this search, by reason of the vastness of the problem of meaning, is an investigation which hopes to discover the principle that has collective jurisdiction, not over the particular of a specific existence, but over the general content of all things for which the all-inclusive name “meaning” has been established as a mutual base. Thus I hold it to be necessary to examine the nature of principle itself, in the expectation of at least partially revealing its structure.

      I can possibly demonstrate the function of principle illustratively, by discussing the problem of comparison, to show how principles become actively engaged in ordering the world of thought as well as physical being.
 

     For good reason we are wont to see meaning between existences which are involved in comparative measuring. Partners in comparison are items of the same kind which, however, differ in the amount or degree of their same traits. Therefore, a comparison of significantly dissimilar things may only be effected if we invent for them a general and collective term and impose it as the common denominator.

     The comparative function is probably best exemplified by selecting adjectives which already have comparative significance in linguistic use. I propose the antonyms “large” and “small,” with the intent to seek out and make evident the nature of the intellectual act whose consequence is comparison.

     Assuming, as items of a wholly arbitrary collection, an egg, a chair, and a tank, which have no features in common except physical size in different degrees of magnitude, we reduce the identity of each by terming them all “objects,” and make them thereby available for comparison.

     The chair, seen merely as an object of size, is unquestionably larger than the egg, quite as certainly as it is smaller than the tank. And it does not seem possible that any of these items might relate by exerting an influence upon or making a contribution to any other.

     Relation, so it appears, in this random assortment of things, could only be the accidental result of an atypical selection, and it would then not be achieved by reason or under the condition of a comparison in size, but would be brought about by a fluke of circumstance.

     To place ourselves in a position to compare egg, chair, and tank, we have determined to ignore their respective identities  by naming them collectively objects, and apparently have deprived them simultaneously of all power to contribute meaning. They have seemingly retained nothing but an ability to displace amounts of space by physical bulk. And their unequal sizes are their only visible contribution to each other.

     Yet, a difference in size can be as potent a contribution of one object to the other as that of wheels and chassis reaching the status of carriage, by being made to jointly fulfill their possibilities in practical reality. For, in their dissimilar properties, those two were capable of supplying the exact needs that left each short of the identity they assumed in collaboration.

     Thus, unequal magnitudes are the essential supplements in the assertion of the new identity, namely, size comparison. With these differing sizes as the granted prerequisite, the mind of man must cooperate to the extent of qualifying – without loss of inherent meaning – egg, chair and tank, by exploiting the tolerance which their identity owns. This flexibility permits the generalization that designates them simply as objects and makes them available for the act of comparison.

      As largeness or smallness will forever change location from one object to the other when one surpasses another in either quality, we recognize that largeness, bound to the visible object, is always excelled by another still larger that reduces the first to smallness.
From this we infer that only an infinite, all-inclusive vastness of magnitude may claim “largeness,” as also solely the dimensionless, infinitely tiny point in space cannot be surpassed in “smallness.”

     Only incomprehensible infinity possesses these designations of extremes in magnitude without either question or challenge. But the mind of the human being needs an instrument –  and finds it in comparison –  which will reduce the infinitely large and small to the dimensions of his intellect or even physical mass. In expressing a thing as “large” or “small,” we state in reality that it is larger or smaller than a certain point of reference in the environment, and impose thereby the measure of our own experience.
 

     The generalization, in which I have gathered nouns of very unequal meaning by collectively calling them objects, provides a guiding hint how the nature of principle can be revealed. The particular condition which is shared and recognized as identical in otherwise most dissimilar items is precisely the factor that provides their collective name and imposes sameness, under the identity of this name only, upon all relative activities carried on in terms of that general definition.

     In this manner, the collective and general principle governs diverse things in the exact areas that are recognizable as common ground. So, egg, chair and tank under the principle of comparison assume a common denominator in the designation “object” and act the same, by all offering their physical size to be measured against each other and also in contrasting reference to environmental experience. In this way, the principle of comparison extends to man the most precious gift of allowing him to comprehend his world in terms of proportions that he can himself establish in accord with his limitations.

     Principle, by definition, requires difference in the identities that it contains within one law. As well it requires that, pertaining to these differences, an area of overlap of function is found where those diversities act identically and as equals. Since principle unifies differences under one jurisdiction, it cannot therefore reveal itself in things whose identity is the same in all respects.

     Thus, recognition of principle is the instrument of comprehensive understanding. For it makes huge complications explicable by concentratedly simplifying them. By virtue of this reduction, they become manageable for the mind.


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The Identity of Meaning - 04

2/18/2016

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We begin this series with the early essay which gives its name to this column - written in 1959.    (Fourth of six sections)
Power of Implication

     The linkage, then, of one fully recognized fact to the identity of another is an exploitation of the relative powers contained in each. In so linking the implications of facts to one another, we achieve a highly mobile process that we know on the intellectual level as thinking. On this basis I must describe thinking as a moving from the acknowledgment of one identity to further assessments, prescribed and directed by the relative energy of the identity already recognized.
 
       Thus our thoughts insist on conceiving themselves, as soon as the location of our interest has determined the theme. Once before I have touched on this peculiar insistence of things made by man for taking their fate in their own hands and permitting us to see in our products not invention, but only discovery. Whatever we begin to validly conceive or make is contained already in its potential nature as part of the condition of worldly being, and is well able to direct us by its demands. Our most fruitful activity in thinking and making is bound to insight and recognition, not to a willful burst of egotism.


Potential Meaning 

      The potential being of all our concepts and works must, however, be recognized in its difference from an existence in perceivable reality. For the potential is not its realization in the actual until potentiality is turned to fulfill its implied assignment. In the potential, then, is the contributive power to be relatively involved that we find included in the identity of all things. These, from their own actuality, may be extended to seize the relative endowment of another equally real existence and enter a union with it. The resulting compound would possess the sovereignty of the actual and be endowed in its turn with ability to extend relative energy in the direction of a still further independent identity.
 
     Evidently the human being, too, is self-contained in a unit of meaning that, in the absoluteness of identity, possesses gifts of relative implication in the ability to recognize and conceive intellectually and to make physically.
 
     A number of disks, designed to rotate around their axes, and a box-like framework or structure each own the properties of their identity, including the potential relative functions of wheel and chassis. But the acknowledged identities, with their recognized relative implications, do not in themselves constitute a carriage.
 
     The powers of intelligent insight and physical making, contained in the identity of man, are extended as a contribution that renders the potential actual. Now in its own right this offers the relative powers that its new compound identity possesses to allow further speculation in the direction, for instance, of motorization and diverse transport services.
 
     Intellectual insight and the will and capacity for work based on that insight are the contribution which man is empowered to make to the contribution already offered by his environment. Wheels and chassis as a carriage are not a heap of accumulated junk. They are the whole that is greater than the sum of its parts, greater to the precise extent of human collaboration in terms of wisdom and work.


The Human Potential for God

     Insight and thinking, as well as physical making, are among the relative abilities included in the essence of the human being. But so are faith and believing. If we accept the existence of God, we give recognition to an inexplicable presence, to a being whom we understand to surpass all comprehensible limits, whose content is “meaning in the infinite.” The capacity for rational thought is no avenue to God, unless its logic compels the insight that faith and believing are fitting for those to whom it is not given to know.
 
     Instead of the light to see, there is the will to believe and, because willing is an act of sovereignty, surrender in faith does not diminish the human stature. By approaching God as His identity and our inability to understand requires, namely in faith, we are not submitting to some sort of tyranny, but on the contrary, exercising the prerogative to give or withhold ourselves.
 
     As no gift is reduced or altered by the change of hands from giver to receiver, so the gift of ourselves to the majesty of God suffers no reduction in meaning. And its unique identity remains intact, for we must possess as property what we offer as a gift.
 
     In the act of faith we hold the strength to find function and purpose in the void. This emptiness would cancel all meaning beyond the limits of humanly possible knowledge if we were not fashioned to relate meaningfully to the inexplicable, by the will to believe where the insight to know is withheld.
 
     And so it appears that, by way of faith, we are committed, in a catechismic sense, to the doing of good and the surrender to God’s will. For we cannot, in all the essence of realism, ignore our gift to believe, where we meet cause to make use of it.

 

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The Identity of Meaning - 03

2/17/2016

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We begin this series with the early essay which gives its name to this column - written in 1959.        (Third of six sections)
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Creation and Creator

     If I am to maintain my point of view regarding the autonomous character in the meaning of all things, then I am in consequence forced to acknowledge the personal separateness of human existence from the identity of God.
 
     The temptation may be great to toy with the sound of words, to say that the concept of creature and creation cannot be understood in any other way than in forever dependent relation to the Creator.
 
     These words, however, play a misleading game, and may move the more arrogant among us to state in addition that the Creator does not meaningfully exist, unless it be in relation to creature and creation. In this curious fashion God would be reduced to a level of being where He depended on our existence for meaning in His. I am undecided whether this would be a mere error or the beginning of blasphemy.
 
      It is my conviction that, when God completed all He has made, the navel cord between Him and us was severed, when we were given volition and choice – in effect – a self-contained identity.
 
     He has set us free, and correspondingly freed his own identity from ours. He is creator by the nature of His omnipotence – the authority to do all things – not because He has made a world and put us in it. Had He never made us, His creator identity would have suffered no reduction from the omission, as it received no increase from the act.



To Relate Meaning

     The preoccupation with meaning in an absolute sense is in no way intended to diminish or deny the importance of the relative coexistence which we observe in the interaction of innumerable things. We are now, however, aware that each thing must contain its meaning within its own identity before it can relate meaningfully to another equally qualified.
 
     I should like to state that meaning in the absolute is the presupposed condition upon which meaning in the relative must rest. And, by the same token, it should be added that the relative is the vehicle by which absolutes relate their meaning to each other.
 
 
     So far this investigation has not yet revealed the very typical activity which is required if one thing is to involve itself relatively with another. To study the act which extends the meaning of one identity, and makes it available to the other, is the task to which I am now most urgently put.
 
     Despite an unchangeable character founded in identity, it does seem that, included within the integrity of each thing, there is a flexibility of potential functional activity. This participates in the overriding nature of its meaning and is able to extend that meaning of total oneness in many directions, and engage it in diverse forms of coexistence.
 
     Maybe it is of some value here – or at any rate, expedient – to resort to exemplification in order to demonstrate the act of relative functioning.



Relations of “Four”

     Assuming any number, “4,” for instance, and giving recognition to its unshakeable character as a symbol of four exactly equal entities, we may yet consider a variety of arithmetical functions in which this value may be employed. Four can be divisor or multiplier, dividend or multiplicand, positive or negative. In this way it is varied in its relative function, but the “fourness” which identifies it is inviolable.
 
     Our knowledge of the fact “four,” however, remains incomplete if we do not recognize the relative powers that imply potential and are included in its absolute identity. “Four” owns these powers independently of whatever use we find to employ them from case to case. Therefore it is not truly possible to know an isolated fact. For, to be ignorant of the particular relative strengths included in each fact is to not know it all.
 
     Recognition of relative function allows us to examine the identity of a fact from as many sides as there are directions of potential impact upon other entities. Such close scrutiny of all facets reveals an entirety. It does not permit us to be misguided into the belief that a thing has changed identity merely because it relates its meaning in a different way to a different thing than habit is wont to perceive. Seeing from all sides is knowing all directions of potential relative extension to which an existence is empowered by virtue of being.
 
     Taking for granted, at the time, the relative powers held within the significance of each word, I was able to look upon the poem mentioned earlier as a self-sufficient unit of meaning and disown it in terms of principle, without either mention or speculation in regard to specific content. And indeed, its theme and subject matter, all-important on their own terms, have not in any way become more relevant now in this discussion.
 
     It is, however, essential to realize the complexity of every poem as a unit of meaning that comprises, as one entity, the interrelation of all single meanings that it integrates. Though I maintain that the integration of single facts is a sovereign identity, its meaning in all its oneness is of compound character.


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The Identity of Meaning - 02

2/16/2016

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We begin this series with the early essay which gives its name to this column - written in 1959.    (Second of six sections)
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An Epitome of Meaning

     Human creativity, in all its man-made diversity, is perhaps more precisely qualified to provide insight into the nature of meaning than any object or condition which exists in a final, complete, and irrevocable state. For, what men think or make grows from shapeless nonexistence and vague notions to develop an integrity exclusively its own, by which it ripens into meaning. This meaning is the property of the thing so made and, if through the years it be wholly forgotten and engage in no relative activity, then the forgetting characterizes those who forget, but the integrity of a thing richly conceived and well-made is inviolate and therefore meaningful in itself. And so, to make myself more adequately clear, I am offering the invention of the following narrative.
 
 
     A lone traveler on a mule is riding slowly over a gray, barren land. Dusk is approaching and the jackass is weary, tottering ahead step by tortured step. As the two reach a muddy waterhole fringed with grass and clusters of sparse shrubs, the rider dismounts, his hand grips the bridle, and together they approach the edge of the pool.
 
     Man and animal drink side by side from the lukewarm and bitter water. Then the man unsaddles his mule and leaves it to graze. After gathering small pieces of dead wood, he lights a fire and cooks his indifferent meal. He eats slowly and, when the food is gone, he broods, buried in the thoughts of his mind.
 
     Stirred by something in his meditation, he takes a stubby pencil and a little paper from his saddlebag and, in the uncertain light of his low fire, begins to write. At one time he methodically whittles the point of his pencil, and at frequent intervals he crosses out what he has written and begins again.
 
      In the end, when he has crossed and rewritten for the last time, he turns to his animal and says, “Listen, Jackass, listen to what your master has written!” So, he reads his poem to an audience of none and a mule – a poem that is a small treasure of truth and humor, five or six lines wonderfully made.
 
     The man is sleepy now and the fire barely glowing, so he unfolds a blanket, wraps himself in it, and falls asleep. At sunrise he will wash, and boil his coffee, and ride away. Poem, poet, and jackass –  nobody knowing what may become of them –  will pass from sight.
 
 
     My little story may serve to illuminate the theme of absolute meaning by its particular insistence on isolating the integrity of the poem from all opportunity to communicate its content. I maintain that it was a meaningful poem nevertheless, a poem in a very complete and entire sense. For it was thoroughly and well done – all done – hence, all poem. And its identity and meaning rested in the strength it contained, not in the knowledge that a select group of people might have had of its existence, if it had been issued by a publishing house.
 
     Also, no significance may be attributed to the poem for another wrong reason, namely, that it must have related meaningfully to its author, as a kind of reciprocal gift in return for the love he so generously lavished in its making. We are bound by reality to accept the insight that, upon completion of a work, its dependence on the maker has also ended. Its existence is sovereign and can survive its author without reduction in meaning.
 
     Additionally, we must conclude that, for all the individuals who may know a given work, there must be a host of others who are entirely uninformed about its very existence. Thus, if we refuse to accept meaning in a definitive sense, we arrive at the nonsensical speculation whether the work has been rendered meaningful because of those, the author included, who know about it, or meaningless because of the others who do not.
 
     Moreover, meaningless work of poor quality in all fields is abundantly produced and displayed. Who could think in earnest that it has become meaningful because it has been made accessible to the public? So our lone traveler’s poem achieved meaning because it had been written, as the identity of its condition as a poem of whatever kind demanded to be written.
 
     A work, once its nature and intent are determined, requires, by dint of its emerging identity, treatment fitted to its own character, thereby in a sense insisting on making itself, as precisely and thoroughly as at all possible, so that nothing may either be taken from it or added. In this manner we are assured that the poem became in essence all of what it was and nothing that was not included in the particular nature and character to which it was committed.


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The Identity of Meaning - 01

2/15/2016

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We begin this series with the early essay which gives its name to this column - written in 1959.          (First of six sections)
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  The Need for Meaning
 

     In the course of a daily increasing span of life, events and concepts accumulate to reach gradually a degree of confused complication that becomes unmanageable in its ever waxing quantity. The will to search for a basic principle which endows with meaning the enterprise of life, and all that it entails on the human scale, is at once natural and inevitable.

     These pages intend to examine the condition of meaning, in the hope of excavating a foundation upon which we may think and act –  not perhaps with certainty but with, however, a resolution wholly unlike the uncommitted indecision that characterizes the waste of futility.


    
From the recognition that we are able to discern meaning in nothing which does not in some manner take effect upon us, we obtain a first indication of a feasible direction in which we may pursue our search.

     Thus we have some reason to at least suspect that the particular way in which one thing makes its impact upon another contains what meaning is to be found, not in either one, but in the relation of each to the other. Consequently, we quite reasonably arrive at units of meaning of variable complexity, which must seek escape from futility in borrowing a reason for their existence by relating to yet further units.

     In this process of continuing and enlarging relationships, the point is ultimately reached where this interpenetration of related meanings is contained in one vast system which comprises all available associations and which, now in its turn, must find a source which will contribute meaning. Such a contribution can no longer be contained within the natural world and would have to be the prerogative of an infinite, almighty, and divine existence.


     Meaning, however, on the level of divinity, is totally incomprehensible to the mind of man. And if this investigation is to continue at all, I must assume that meaning in the lives of human beings takes its place in the natural world and may be understood -- within this deliberate reduction to the measure of man –  by the natural powers at our disposal.

     If that assumption be a violation of the essential character of meaning, and if I possibly reduce something to my own scale which, in fact, bears no reduction at all, I would yet be forced to take upon myself the risk of committing such an error. For the realization that, without so risking, I should be deprived of my theme altogether, appears to justify that I confine the problem to humanly manageable proportions, because it does exist validly and perceivably in the earthbound environment of humanity.



Relative or Absolute? 

     As long as we look upon the substance of meaning as the result of the associations among all things, we find that these relationships will outdistance us to the point where human intelligence can simply not follow. It is hence necessary to at least make the attempt to discover meaning not in the indebtedness of one thing to the other, but in a more sovereign sense which I should like to name “meaning in the absolute.” – The expression “absolute” here is not an identification of divinity. Its intended interpretation is antonymous to the word “relative,” and therefore close to the Latin root “absolutus.”

     For, in spite of the fact that we have observed that experience with meaning tends to be limited to the effects that invade our lives from the outside, or more briefly, tends to be “meaning in the relative,” each of these sources of relating influences does have a character and quality particularly its own. Quite independent from any ties with its partner in relative meaning, it does have identity, and we shall have to ascertain whether this contains such significance in its own right that we obtain indeed meaning in an absolute sense.


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    A Blog containing longer text selections from essays by Johannes, on art, philosophy, religion and the humanities, written during the course of a lifetime.

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    Artists are not art historians. People who write are not all learned scholars. This can lead to “repeat originality” on most rare occasions. When we briefly share a pathway of inquiry with others, we sometimes also must share the same results.

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