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  von Gumppenberg

Johannes Speaks                                        

Relationships

5/20/2016

 
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When I say this word I am more often ignorant whereof I speak than comprehending. Talking, for example, of “orthographic projection,” we name a discipline which underlies the classical mechanics of our early industrial action.  Our discourse on relationships means not nearly the clear insights and precision that are the implied sense of the descriptive geometric term.

If I think of shape and color relations in visual art only as appealing or not appealing, we close down the mind. In an able black and white design, the black renders with care also the white spaces, so that black and white separate and simultaneously unite at their common boundaries. How inventively this is done interests the discerning viewer.


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We meet with relationships in ubiquitous diversity. The most fateful are those of human people. What we feel and think about, what we speak and do to one another, will either build strongly, or derail, relationships.
 
Preceding all will be a motivating cause. Out of this completeness of succession – of cause, of feeling, thoughts, and speech and deed, each one is not shown always visibly and truly, nor perhaps, at all. So our demeanor towards one another is a path of pitfalls and of obstacles which frequently we jointly misconstrue.
Therefore I do blunder on the path of life I share with others and name those several ignorances my relationships. So I do not much like this word. For it reminds of too much I cannot understand.
I make, however, handy use and hide behind “relationships” each time I know too little and want to say it loud.
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    Johannes
            von Gumppenberg

    Artists, in the end, either teach themselves, or must remain untaught, forever.

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