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  von Gumppenberg

Johannes Speaks                                        

The Bent for Merriment

9/2/2016

 
I am told that volumes are written on humor. Somewhere, decades ago I read, “Incongruity inspires laughter.”
 
We know that not all which exists can be personally meaningful to us. When we encounter something which thus captures us it is because this something engages our minds or touches our hearts. Similarly, to inspire mirth, mere incongruity is not enough. The need is for an unfolding remarkably surpassing daily commonplaces.

The lovely smile gracing features in a tranquil, happy moment, as well as festive merriment, are – I think – relatives of humor, for they take us, however briefly, above the mundane dullness of existence.
 
When humor in its biting form is put into an utterance, someone will be someone’s prey whose day no longer will be dull. The benign tease looks upon himself as masterful, but does so peaceably and without inflicting pain. It seems an amiable way to have this fun when one’s victim is only pretended, but not real.


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Harmless Cyclops Breathing in the Cold

A Cyclops is a gigantic, man-devouring mythological being with but a single eye. My Cyclops here is “average-man” – a little plump – bald – middle-aged. But if he resembles closely someone another someone knows, that other someone’s laughter can be more gloating than well-meaning. 
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Let me now recall a masterful political cartoon by MacNelly – masterful because there was no victim:  a sturdy housewife, during the Bill Clinton years says to a baffled-looking pollster, “I like the dirt-bag.”
The “LIKE”-ing and the presidential “dirt-bag” make odd company. Yet the liking takes out all sting from the unwashed name. So some of us, at least, smiled or even laughed indulgently and fondly.

Is not such jesting a deal more loveable than that which gains a triumph through sharpening the claws of ridicule?
 
                                                             Summary
 
Mirth includes always the endeavor to master the occasion which arouses it. By that feature humor supplies a true and valuable recourse when hard adversity taxes our courage. And it is a fine conceit indeed to find a way to feel indulgently forgiving toward the President of the United States.

Even our gift of receptivity, to happy hours we can regard with smiles, subdues for us the drab, and maybe troubling, every-days.
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A number of the topics in this series were familiar ground of which I sought to improve my understanding. Though I have had my fun, I have never studied how I had it – never studied humor. So I have to hope that this, my first attempt, has not been too awkward and inept.
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Reply to Nicholas Cage

4/22/2016

 
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        A lady poet and a friend of mine opened a series of her verses quoting Nicholas Cage. I do not recall the words verbatim, but the awful meaning was unmistakable and clear:  Life is awful; we love all the wrong people; our hearts get broken; then we die.
 
        I trust, foolishly perhaps, for myself and for my fellows in a better turn of luck.  
                                                           Our day is dire.
                                                           Right people love right people wrongly.
                                                            If your heart be broke,            
                                                            do not presume to die –
                                                            repair another broken heart
                                                            imperfectly,
                                                            because you both are human.
                                                            In due time, depart this life
                                                            with Grace.   
 
                           We are right people, you and I,
                            but bunglers in the craftsmanship of love.
                            Dreamily we look for bliss into a distant sky,
                            though our lacks need tending here and not above.
 
                            We are right people, you and I.

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Comment:
Do today's problems come more from loving the wrong people or right people wrongly ?

Emoting and Receiving

3/4/2016

 
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Feeling as EMOTION

Live beings emote because they will to live. That is, they own a drive to outward action whose always purpose is to repair a deficit:  when we are hungry we seek food, in peril -- safety.

Along the path of labor on his pictures, an Artist learns the burden of emotion. For a work still incomplete is a wish not yet come true -- a short-fall to be mended.

                                                           . . . and as RECEIVING

Speaking of happiness emotes a need to reach a hearer -- perhaps a sharer. Happiness itself, however, enters the accepting heart as a near-celestial blessing and perfection of fulfillment. Emoting nothing, we partake wholly of a most liberal receiving.

When art works render depths of grief and dire misadventure, they will not make happy. Yet, if they engage all our attention and whole participation, they afford fulfillment.

We are not strong enough to endure for long this all-demanding state of being. The spirit wanders. Our attention must soon divide, and the lacks of our world require care.


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    Johannes
            von Gumppenberg

    Artists, in the end, either teach themselves, or must remain untaught, forever.

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