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  von Gumppenberg

Johannes Speaks                                        

John Howard Benson -- Artist, Thinker and Teacher

8/5/2016

 
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I entered Rhode Island School of Design – RISD, sounded with affection always “RIZ-DY” – in 1951. At that time John Benson, due to failing health, no longer offered lettering instruction. He continued, however, to teach a course scheduled for the entire sophomore class: 
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There has been a vogue of recording “great lectures.” These tended to be only middle-depth in content, rather neatly put together and a little too “dynamically” delivered. John Benson was much different and much better.

The course was constructed with exceptional lucid care. Singly, the talks were given with measured calm and very clear exactitude. The pace of progress was always exceedingly reliable, but never hurried. These readings by John Benson were the finest I have ever heard. Swarms of words tend to evade, not master, difficulties.

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In Benson’s concentrated thinking power, and his patient and incisive discourse, lay our path ahead. The course achieved its excellent success meeting once a week for merely one semester.
 
 
I never exchanged a word of conversation with this, the most revered of all my teachers – nor did many of my classmates, for we were more than one hundred students in a great lecture hall.
 
A few years later John Benson died, and some years after that I became once more his student. I have two books written by John Benson: one is the translation of the La Operina, Arrighi’s “little work” . . .

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. . . a great Renaissance cursive writing manual. By Benson’s masterly penmanship the whole is now a most beautiful work of art.

The second was The Elements of Lettering, written with Arthur Graham Carey. These two works gave to me a more insightful, and useful, instruction on the lettering art than any others I have tried.
In this essay my samples bear doubtless witness to the limitation of my craft, but witness also, I do hope, to the excellence of my preceptor.
 
 The monumental stone-carved inscription was John Benson’s especial calling and he was, besides, wonderfully skilled and learned in all parts of the lettering craft.










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Though knowing much is surely very good, it is measurably better to comprehend deeply and exactly. Owing to that great talent, John Howard Benson – in his task field and at his time – was the best in the world.

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    Johannes
            von Gumppenberg

    Artists, in the end, either teach themselves, or must remain untaught, forever.

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