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  von Gumppenberg

Johannes Speaks                                        

Fundamental Learning

3/25/2016

 
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Of the several fine teachers who instructed me as a young man, three were truly great. One, to those who did not know him, Charles Sylvia, the Swimming Coach of Springfield College, will be a surprise. At the start of summer over an extended weekend, Professor Sylvia conducted an aquatics school to sharpen our craft for the summer’s work of teaching aquatic skills to kids.

With lucid intellect and with concision – the need to save time obvious – Charles Sylvia complemented and gathered into clear coherence the particles of our comprehension. Sylvia then named that coherence “Basic Knowledge.”

Insights and aptitudes acquired singly come together as principles – that is, as rules we use in the work we do. If from such rules is built a useful whole, we will have gained a body of fundamental lore or Basic Knowledge.


My sketch below was drawn to explain descriptive geometry to a one-time student. The rendering is a model of Orthographic Projection, the enabling tool of the early industrial age.

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In level-drafting, the model delivers the three views we mostly want, thus:
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By their ground plan and elevation renderings, and deep perspective views, we might mistakenly suppose the architects and artists of the Renaissance to have mastered descriptive geometry already – not so. The work was done three hundred years later at the time of Napoleon by Gaspard Monge.

Through his edifice of fundamental learning, Gaspard Monge made himself preceptor of the progressive world, and saved that student time – not to squander, but to build and to create. His is a most excellent example of that Basic Knowledge that Professor Sylvia wanted us to learn and put to use.

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You might comment on a teacher whose "fundamental" teachings went well beyond the announced course subject matter . . . .

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    Johannes
            von Gumppenberg

    Artists, in the end, either teach themselves, or must remain untaught, forever.

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