Like a temple she has reached the goal of stillness graceful in her silence and remote like the earth absorbing like the moon reflecting like the sun, light shining open peaceful arches welcome on the hill thousands to the eternal fire they come and go, but few observe the worn white stone the firm fine lines and storied sculpturings which make this rock itself a place of pilgrimage (for Maria W., 1960s) The girl with subtly purple hair walks alone, and flips it in the air down its waist-length flows a quiver tail of fish in running river She does not see a watcher there but, if she did, another’s stare would turn her blank, false-cheered, or sullen outer shell uneasy, inner self a question And she is trying out a string of parts for slightly Purple Princess, with her arts, the rest all simple, just that hair to hint at her uniqueness, causing one to squint Who goes here, and where goes she? seeking to be called, to leave uncertainty what awaits this temporarily purple person? a hundred thousand days and wide horizon She has one secret now, her own, which told her choose her color of renown (for L.P., 1990s) If I presume to think one moment of despair has helped to change this, my blinded suffering where no answer seemed, then it was prayer. The silent fight and bitter anger against that cowardice, all this was prayer and for the one courageous gesture, more joy than others’ ninety-nine. The thanksgiving because its strength was partly earned with mine. Surely, great God in whom we live, through us a river flows and all the struggling currents work towards life as one who loves you knows (1970s ?) The unseen moon I assume leaves this stain of window pane A reaching in of has been from Stonehenge silent, strange Our evolutionary ear cannot hear the moon’s rays while TV plays Parents’ Fiftieth Wedding Part I As a child I answered a doorbell ring, Opening the formal Front Door and found a small old lady, truly someone’s grandmother but not one that I knew. She had a strange request – she “only asked” that she could come inside and see our house. It seems she lived here many years ago. This was her family’s home, and she grew up here, not only years ago, she told me – generations Then the lawn was wide and green, there were no trees. Later she came back alone, when grown and married. The house seemed changed, for all around great trees were standing, a grove of apples, pines, and pears. She did not ask to come inside but only stood, and looked, and went away. But now, she said, our house seemed like her memories – The trees had mostly fallen, the lawn was large. It looked again like her house and, “Could she please come in, to see the rooms of childhood?” That house was sold, and painted, landscaped, with a new garage, I myself have not been back to see. But we lived there for thirty years – and I often wonder: will I, someday, stand at the Front Door And ring the bell, and ask? Part II Imagination finds a country Back Door – where daylilies beyond lift golden throats against far boughs of dark green pine, green whorls of Turk’s Caps rise beside, almost the height of a man, whose buds promise gay orange turbans,. where now small pink climbing roses bloom. I walk a little further. Brown-Eyed Susans watch me pass, and yellow Coreopsis from the meadows nod their petalled heads. On a little further, to a juniper patch. with a small blueberry bush, some berries pink, some berries blue. I lean over to pick and catch the scents of juniper and pine, perfumed with sun …. And where am I – perhaps New Hampshire, where passed so many happy days and years ? No, this is a vision of New Hampshire, a quilt of memories patched up an our city row-house yard. Still, these images exist, darkly stitched by brick buildings and a wire fence. However, on a sunny day, I take this Doorway’s patchwork pieces and travel to a quiet time,. during these years when my own gardens must grow in memory. Part IIl Now at this dinner, in this room together we are meeting in another Doorway, because this inn named Wellesley’s Woods stands where it all began. Fifty years ago, and yet another five on a summer’s night – in these Woods, by this Lake you might see two figures walk, And stop, and kiss. All gathered here know in our lives behind this Anniversary Door – many years shared together. And we all know the crossway arch covers a family group of ourselves, whom we are happy to love so well. The farther side of this Threshold we do not know, as we pick up our luggage of years: 90, 80, 50, 40 ,12, 10, or 6, anniversary gifts unbundled from one package. We move onward as this Doorway opens onto different paths. We leave. We go forward – remembering the first that opened all. (1980s) O, Merlin dread, we place this stone above your head to safely bind your spells alone and call your fancies dead while we above, the farmers, tread and build our homes and earn our bread Yes, Merlin, I the village elf I cannot lie I lock you there as well myself and mumble prayers as I pass by against your magic, God knows why: to save our health, let Merlin die But words of prayer and words of spell are of a pair and every time I pass your cell I feel a stirring in the air perhaps your magic makes me dare to bid you well in secret prayer Sink as the tide sinks fall as the waves fall fade as the day fades die as the seed dies Wait as the minutes wait see as the blind see speak as the heart speaks love as the Loved loves Merlin suffering under stone Merlin when my voice is gone do not let your life go slack or magic change – from white to black Merlin childlike in your age shield that child and teach that sage so both released with magic may enchant the sun some free-er day (to a poet imprisoned for political reasons, 1960s) We plucked three hours from the tree It was not forbidden, but it seemed to be. We walked with these three hours to another place and, hearing Nature’s silence, set another pace. We saw the dregs of human waste but from another point of view. Afloat on Nature’s lovely face they cleansed our taste anew. And now, homebound, to walls returned, three fruitful hours gone, their knowledge we have learned. (1980s) Children of blood, children of fire the world turns, the world turns Children of war, children of grief Children of hunger, death and disease what are they born to, what are they born for? Torment and guilt torture and harm As the great spinning globe turns from the sea of misery to the pits of agony innocent voices questioning destiny Children of love, children of peace the world turns, the world turns Children of fullness, children of light children of joy, wisdom and might What are they born to, what are they born for? Advantage and favor adventure, long life As the great spinning globe turns from the fields of enterprise to the peak of ecstasy innocent voices blessing their destiny Children of blood and children of peace Children of love and children of fire darkness and light, heaven and hell the world turns, the world turns some will do good, others do harm some will be cursed and others be blessed questioning voices, innocent destiny Omnipotent God – this is a mystery (1980s ?) Two can play the game, “If Only” If only You had answered – If only you had listened If only it had not happened – If only you saw why If only I could – If only you would And two can claim the lesser plaint of “But” But, I tried – But, I helped you But, I couldn’t bear it – But, you didn’t ask me But, it’s only a small thing – But, it’s all and everything One alone can send the plea “Forgive” or offer “Thanks” between the Finite and the Absolute
for Your graces and my days (1990s) From green plant grove, a niche of leafy stalks, the young man spoke, his yellow face, dark hair and Asian eyes peering through tall shadows, squinting into light, then dipping deep. Each word came halt, his face half-twisted, wry, with foreign tongue half-mastered and half clear. Five hundred shifted, haunch to haunch, shuffled, sighed a hovering, traveling cough, polite and bored – a patient, inattentive class. Soft-spoken, but fearless, simple, firm, sincere, he gave directions “…through the jungle here.” But the leafy stalks were lilies, and the niche an altar piece, from candle stands the shadows, and the leader was a priest. ~ * ~ * ~ * ~ * An hour ago the red-faced captain spoke, under his fringes reaching for a handkerchief, mopping the sweat from glistening, nodding head, – sarcastic smiles, simpering sighs, and shouts … like a music master, phrasing tones in microphones (one hidden on his chest), his veteran note: “The jungle’s always there.” Five hundred shifted, shuffled, bored politely then, bored but – with painful, dumb amusement, like captive children at a faded show, watched and thought, “He’s got a point, you know.” They thought they heard the captain, but he spoke to deafen prayer. It was the slight guerilla fighter who knew the real warfare. ~ * ~ * ~ * ~ * (The Laotian priest came to America to study and lived as visiting priest in a parish, sharing the regular duties. The poem compares his sermon with the pastor’s, and the reactions of the congregations – 1960s) |
Poems by Janet
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von Gumppenberg | Earth's Creatures |
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